Displacement and transplantation are regular motifs in his work, figures and architectural styles from varying decades and continents coalesce to create paintings awash with tension and a certain awkwardness, where things are not quite as they seem.
Resembling mid-century photos and stills from Hitchcock films, with the lights washed out and darks saturated, he creates a mysterious and enigmatic colour palette alluringly reminiscent of cinematic emulsion.
